The Lives of Lucian Freud-The Restless Years 1922-168- William Feaver

 The majority of my influences as an artist are definitely the greats of the past, whether they are European masters of Renaissance and Baroque, or an ancient empire of thinkers like the Egyptians or African sculptors. The arts in the west definitely take a sharp turn South after Picasso and Matisse, let's admit. Even if it might not be polite to say that, it's also not polite to make mediocre works of art and aggressively promote them in order to normalize your particular brand of ignorance, lowering the cultural standard, so you don't have to put in as much effort with your own work, even if it is all the rage these days. 

So I guess we're even. 

   But this guy was an exception to the rule. Someone who decided that using influences like Ingres and Albrecht Duhrer are appropriate for a modern day artist. You don't have to follow the trend if the trend is overrated. He thought for himself with his figures, never yielding to the generic, one size fits all, are-you-serious-are-people-actually-buying-this phenomenon of abstract expressionism. Props to him for sticking to his guns, while everybody else just chugged along in art school and did exactly what they needed to in order to "get a good grade in the class" and nothing else. 

    I was eager to buy this book the moment I saw it on the shelf, and that is something I never do. I am not an impulse buyer, but because there's so little written information on this guy, I leapt at the chance. 

   His privileged upbringing, due to his grandfather's success as a world renown psychologist, of course gave rise to lots of spoiled brat behavior that would make most of us shake our heads, but luckily he was focused enough on his artistic talent that we get to enjoy the fruits of his labors. 

   It was interesting to read about his time in Greece. He seems to have done very little traveling, and never even had to have a real job, but for his brief time in the Navy. 

   The content of the book is definitely interesting, and I was glad to get some details of his personal life that were formerly obscured. But that being said, it's not that well organized. The writing is not that good. The author, William Feaver, seems to be randomly stacking facts for pages and pages, jumping from here to there, as apposed to delicately handing me off from one section to another. My mind is wandering at some points, but this is less of a literary experience, and more of a "scan for information" type of deal.  

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